And so AIKA makes her decision Aura's given so much to everyone. They begin to win over the nihilism, but it will never be defeated. The virus, then, wants her to embrace this side of her and give in to it.īut Tokio and his companions don't want this for Aura, and since they are effectively her dreams, they represent her hopes and the flickering light of her inner resolve. She's kind, so she would never do anything evil, but she's also a human with good and bad emotions, so in her low points, she may have these sorts of fantasies. Her rage at herself and the world outside for her lot in life and the shit she's been dealt, created by the destructive barrier around her. This being is actually symbolic of Aura's inner despair and nihilism.
It's the part of us that wants to tell our boss to go f*ck himself, but we pretend we don't feel that way so as not to get fired.
We all have one, and it's nothing to be ashamed of. Remember the Shadow from Persona 4? The Shadow is that which the human mind represses, denies, or ignores about itself. (You could even see some sexual symbolism in this, but that's for another time)Īnyway, on to the "Death Queen Aura." It's not Aura at all, or rather, it's not her true self. He keeps people from truly knowing her, he's the danger that makes people want to persecute and control her due to her risk, and he's the personification of the fact that things go to hell whenever she tries to help, even though she is very kind. In short, he's everything Aura hates about her job. He's the barrier of her heart, right? His job is to make sure people keep away from her. Eventually the virus gets through, but hold on: Aspects of Cubia? That's not even congruous. Aura expresses her disdain for being a deity very early on in the game, and the virus is showing this in all it's myriad paths. We saw her good times and bad times, and there were even attempts to twist and confuse them in order to break her down. The whole game was in Aura's core the whole time, but was a metaphorical, allegoral journey to the center of her heart. That's because it's not time travel, but the virus already working at hacking into Aura, and so we manifest her memories (see the memory-viewing aspect of Avatar Space in GU+ and the GU Novels). The virus took hold and began doing these time travel shit. Now, the events of the game happened merely because Tokio entered the game. She created Saika for the above reasons, but also out of jealousy for all the sibling bonds the AIDA have seen, such as Jun and Pi, Saku and Bo, etc. AIKA is also an AIDA that knows love in all it's forms, like Tri-Edge's hate and anger. AIKA's motive is love, but Geist only allowed her to get close to Tokio if she followed his plans, so Saika was created as a sort of "sleeper agent" not realizing her own motives are made up. She is, in actuality, a split personality of AIKA that believes she is, constructed in order to give her reason to enter Tokio's world and unlock him. Truth is he always had the virus in him, but he needed a few years to develop in a private server before he could be dispatched.ĪIKA is exactly what she claims she is, but Saika is not Jyotaro's sister. Tokio is a trojan horse AI with false memories. Parts of himself he cast off so he can be UBAR VILLAINU (compare/contrast Naraku of Inuyasha and Father of FMA). Not only is Geist an AI copy of Jyotaro, but the rest of Schiksal are personality splits that don't realize it. So the returning characters are memory constructs, obv.
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